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Paul Signac Bridge mk115
1926
Oil on canvas
89x116cm
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Paul Signac Bridge and station mk115
1929-1930
28.9x43.2cm
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Paul Signac Impression mk115
1933
27.5x40cm
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Paul Signac Impression mk115
1935
28x44cm
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Paul Signac Art bridge mk115
1931
27.5x43.5cm
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Paul Signac Impression mk115
1935
28x43cm
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Paul Signac Port mk115
Oi on canvas
73x54
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Paul Signac WOmen at the Well mk156
1892
Oil on canvas
210x146cm
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Paul Signac Harbour at Marseilles mk159
1906
Oil on canvas
46x55cm
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Paul Signac Le Moulin Holiandais a Edam mk183
Signed and Dated 98
Oil on canvas
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Paul Signac Venise-Le Nuage Rose mk183
Signed and dated 1909
Oil on canvas
73x92cm
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Paul Signac Cenacle mk191
1886-1887
89x115cm
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Paul Signac Detail of Cenacle mk191
Oil on canvas
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Paul Signac Unknown work mk191
Oil on canvas
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Paul Signac Unknown work mk191
Oil on canvas
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Paul Signac Pine mk213
Oil on canvas
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Paul Signac Mills on Moutamartre mk235
1884
Oil on canvas
35x27cm
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Paul Signac The Road to Gennevilliers mk235
1883
Oil on canvas
72.9x91.6cm
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Paul Signac Two Milliners Rue du Caire mk235
c.1885/86
Oil on canvas
111.8x89cm
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Paul Signac Breakfast mk235
c.1886/87
Oil on canvas
89x115cm
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Paul Signac
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1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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